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Interview Liane

Q1.　How did you become an intuitive artist?

It came about through coincidences. I’m not a schooled artist, meaning I have no art school training, so when I first started getting this impulse to draw and paint, I had only my imagination. So I put nice colors down and wait for them to start looking like something recognizable. Doing art this way was fun and took a lot of the pressure I was feeling as a journalist to think in a linear rational way.

Q2.　So intuitive art means that there’s no planning or prior knowing what you’re going to draw?

Well, not exactly. The drive to do art I think is universally motivated by a desire to express feelings. You want to see your feelings manifested in a tangible form.

That’s what art’s about. So in my art, something that day in my environment or circumstances would set the mood. Like the first painting I ever did in my adult years, on my 36th birthday, came about at a wonderful artist’s home near Mount Fujii, where the artist Pam Honda was giving me and my husband Aki a our first art lesson.

She flabbergasted us by putting out pots of paint and paper and leaving us to it. No instructions! But it was a brilliant approach because it got us to relax and have fun and let go of expectations that art had to be approached a certain way

Q3.　Is intuitive art a term you’ve coined or has it been around?

I certainly am not the only one doing intuitive art. I’m not sure its in wide circulation but I can tell you about the self-described intuitive artist who changed by life by making a very persuasive argument in favor of taking one’s own creativity seriously.

This was Sachiko Adachi. She had been a colorist for a design firm in Tokyo until her late 30s, when she left because of growing demand for her art. She was like an advice lady and artist combined. People would come to her with a?
? problem and she would draw them the antidote! The pictures were very simple, more like calligraphy, with beautiful strong colors. Seven years ago I was asked by Sachiko’s brother to edit Sachiko’s translated book, one of her last lectures. The book is called “To Live As We Are,” and I highly recommend it for everyone who is interested in the connection between spiritual development, creativity and intuition. Sachiko made an amazing case for doing art, saying the more you do, the more intuitive you become.

Q4. 　Where can one obtain a copy of Sachiko’s book?

This website offers it for sale in our shop. Otherwise you can order by emailing: liane@axel.ocn.ne.jp

Q5.　Are people also asking you to do commissions for intuitive art?

Yes. I did a series of 8 pastels called the “Sonic Chakra” series that show the state of my eight chakras, and since this work isn’t for sale, I’m getting orders for custom pictures to adjust individual chakras. But what I really hope for the future, is that the Genesis Way will give people the tools to make intuitive art for themselves. That’s the dream. To have the whole world rising in the morning to make their own intuitive art!

Q6.　Can you tell us about how the Genesis deck of cards came to be?

The Genesis deck began with paintings made partially by me ? and mostly to the very talented artist Andy Boerger. When we first decided to collaborate in 2000, we would make these individual cards out of our works from our separate portfolios. As a writer, I would come up with the card labels, then together we would think up creativity exercises that people could do to break out of old patterns of thinking. I wanted to reach people who were pretty good at one creative form, art or writing, but had a hard time switching on the possibility that they could be good at both. Over time we discovered that the cards were effecti?
?ve as a tool to get beginners going as well.

Back in January ‘00, we started to give workshops in cafe settings, where we’d hang what at that time was a home-made laminated deck from a clothesline and our group would pick cards to help focus their intentions.

The Genesis Way tells everyone that it’s possible to do art, but I noticed that as long as the art was made mostly by Andy, an award-winning illustrator, the Genesis Way wasn’t fully walking its talk. So I made the difficult and scary decision of going it alone and making the “untutored” art myself in the summer of ‘2005. It felt like a miracle when September rolled around and the new paintings were done.

Q7. What’s the hardest thing that prevents people from doing art?

Definitely, it’s coming up with an idea. The Genesis Way gives you a place to start and a goal to reach for. But what you draw is entirely original.
Say you pick the “Spring Seeds” card. That card will lead to all kinds of associations to explore.

Q8.　What are the advantages of doing the Genesis Way in groups?

When a dozen or so people all do creative exercises from the Genesis Way creativity session for a few hours, everyone works at their own pace until the end. Then we gather as a group to talk and share what just happened. We all have this common bond through the Genesis Way, and when it comes time to talk about our experiences, it is amazing to see how a single Genesis Card leads the imagination in totally new directions.
When you begin to talk about your own art and other people ask you questions, it opens up channels of thinking that weren’t there before.

Q9.　Is the workshop setting the only way to work with the Genesis Way?

Actually, it’s only the beginning. I use them for private readings to look at personal issues here and Tokyo and by phone all over the world, from Tusco?
?n to Warsaw.

It’s interesting how people are now finding their own uses for the Genesis Way. A French literature professor, Christine Kodama, uses the Genesis Cards to stimulate thinking in a university course she teaches here in Tokyo. My husband Akihiko Wakabayashi uses the Genesis Way in his “Ki & Consciousness” healing course to stimulate positive thoughts about the future. I’ve given the Genesis Cards to friends in the hospital and as gifts to people in need of cheer.

Q.10　How does the Genesis Way make you more intuitive?

I’ll give a really simple example. Say you feel stuck when you’re doing the Genesis Way session and the card you draw is “Adventure.” So, you sit down and draw yourself on a tropical island even though you think there’s no way you can leave your job and family right now. Well, in your picture, you draw not only the beach but what’s that off in the corner? It’s a pod of dolphins.

A few days after the Genesis Way session, you get this sudden idea. Hey, I’m going to take the kids to an aquarium. Of course, there by the dolphin pool you run into an old acquaintance who reminds you of past times when you didn’t feel “stuck” at all. You get talking and he invites you to join his cycling group for a ride that changes your life. Well, that’s an example of the intuitive chain reaction that can come when you start to draw from the imagination and then take action on the things that come out of your pictures. I’ve experienced this so many times I just take it as the norm now.

About Liane and other Lounge staff